1001 Albums: The United States of America

#121

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Artist: The United States of America

Album: The United States of America

Year: 1968

Length: 37:07

Genre: Art Rock / Psychedelic Rock

“We shall shortly institute
A syncopation of fear
While it’s painful, it will suit
Many customers whose appetites are queer

Or for those who wish to pay
There are children you can bleed
In a most peculiar way
We can give you all the instruments you’ll need

And the price is right
The cost of one admission is your mind”

I am back from another long hiatus. This seems to happen to me quite often, but can you blame me? I’m an adult with a busy schedule and sometime other things take priority in my life over writing this blog. Shame though, because I listened to this album three weeks ago and barely remember it coming to sit down and write about it. I mean, I could have always listened to it again but I already listened to it three times and I felt any more would just be overkill at this point. Plus, I’m about 5 albums ahead, I decided to just keep listening because… you know, fuck it, why not. Might as well crank this one out and just move on with it.

It’s a short lived band that only had one album and the band broke up immediately after because they all couldn’t get along. Seems to be pretty common amongst bands. I always wonder… how did they get together in the first place when there were so many tensions in the band? Were they great friends first and the battles commenced once production started? Were they individuals who all saw the talent within each other but didn’t realise they’d butt heads so much once they began? It’s such an interesting phenomenon to see groups that do work together but then you realise how much shit was happening behind the scenes. At least this one disbanded immediately, some groups stay together for years and years. I guess props to them for sticking it out so long for the sake of the music (and the fans I guess). It just seems no one could agree on which direction to take the band as individual members tried to pull it this way and that and others got fed up of certain members getting more attention than others… ego, that’s what’ll do it. Either way, they produced one album that basically sold poorly and disappeared from existence, yet somehow managed to keep a legacy and high critical acclaim. Is it really the gem it’s made out to be? (I’m honestly not the right person to answer this question but whatever, I’ll do what I do best… be irrelevant).

Originally I thought this band had a stupid name with a stupid album cover. Like come on, United States of America? Really? Either you are way beyond patriotic or you have a severe lack of originality. Like what are you supposed to evoke with this type of band name? Very American music? Didn’t sound that way, except for maybe excerpts here and there, but those were few and far between. That album cover too… just a circle with the bandmates… cool, a lot of thought went into that one. I especially like how the bassist looks like Rainn Wilson, that gave me a good laugh for five minutes. I’m being hyperbolic of course, I don’t find it that dumb, plus my friend Graham convinced me that it’s a pretty cool cover since we rarely get to see the band working behind the scenes. So basically this entire paragraph I just wrote is entirely useless and should be ignored.

I’ll be honest, I don’t have much to say about this album and I’m looking for anyway to fill up space. I mean, it’s an experimental art rock, psychedelic album. I’ve been over saturated with them and this is not much of an exception to what I’ve been hearing. To be fair, their sound is definitely unique to them and they were trying new things with the genre. The use of synthesizers makes a big debut in music here and they seemingly are one of the first bands to experiment with it’s sounds as a prominent feature in the music. Lacking is a guitarist, which I think is pretty cool. I would have never known if I hadn’t read about that. Guitars are a main focus in psychedelic rock and it’s complete absent here, so I have to give the band credit for experimenting with new things and creating an original piece of work. It’s evident there’s a lot of talent thrown into this album and it pays off in the end… if you like this sort of thing.

In a lot of ways I can see this as a hidden gem in music history but at the same time I can see people being turned off by it. Not everyone is into the sounds of art rock and experimentation and it does take a certain level of music appreciation to really appreciate what’s being done here. Personally, not my thing and would probably skip in the future but I wouldn’t pass it up as a recommendation for lovers of the genre. It would definitely be a new discovery beyond the usual psych stuff and a fun little obscure piece of music to keep in your back pocket to pull out when you want to sound pretentious.

At one point the band says “We’ll have a good time” and I ask myself the question, Did I have a good time?

…I guess.

Song of choice: Where is Yesterday

-Bosco

 

 

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1001 Albums: The Kinks Are The Village Green Preservation Society

#110

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Artist: The Kinks

Album: The Kinks Are The Village Green Preservation Society

Year: 1968

Length: 38:59

Genre: Rock

“We are the Village Green Preservation Society
God save Donald Duck, vaudeville and variety
We are the Desperate Dan Appreciation Society
God save strawberry jam and all the different varieties

Preserving the old ways from being abused
Protecting the new ways, for me and for you
What more can we do?”

I am back! Not in terms of this blog, because let’s be honest I’ll constantly be taking breaks and slowing down. But in terms of my mood and just all around being me as a person, I finally feel like I’m back to normal. I’ve been getting amazing sleep. I wake up early naturally. I feel energised the entire day with no need for naps. I’m actually in a good mood. I feel like I’m myself again, my motivation has returned and I find myself actually being productive (or at least somewhat). Thins are turning around and I feel great.

On top of that I got to enjoy what I feel is currently my favourite Kinks album. I think I’m finally sold on them and this was the album that sealed the deal for me. I was somewhat hesitant at first but now I think I absolutely love The Kinks. There’s something about their music that both feels incredibly nostalgic but fresh at the same time. Like they’re working with formulas but somehow using them in an original way. It’s a strange sentiment to feel, but a great one nonetheless and I really hope this isn’t it for the Kinks catalogue (but it might be sadly). Shame, I was really hoping for more.

Something The Kinks do very well is capture an image of old school England. That sense of nostalgia doesn’t just come through their music but their imagery as well as they capture a slice of life within the community. Here they do it their best as they paint a picture within the confines of the idea of the “Village Green” which according to the writers is a sort of safe haven away from all the artifice and bullshit of the city life and real world. A place where things are simpler and easier with nothing fake happening, just a genuine world within a plastic one. As someone who is a strong believer in honesty, this idea really feels like a breath of fresh air.

As a concept album it works very well, creating these little vignettes to fully create this world they’re taking you through. Oddly enough, despite being unanimously critically acclaimed, it sold very poorly, which sadly seems to be a regular thing for The Kinks. Once again, it’s one of those a;bums that only started to get noticed way past it’s release and would be rediscovered years later. The Kinks seem to have a weird relationship with this sort of thing and apparently their feelings of exclusion from the US was in part what had them create this album. Here’s an interesting snippet I found that I would like to share:

“Davies, who had suffered mental exhaustion himself, isolated and conscious of “the hole I was in” – to either be a hit machine or not to exist, sings; “This world is big and wild and half insane… It’s a hard, hard world if it gets you down – Dreams often fade and die in a bad, bad world” with “Everybody pushing one another around… all the people who think they got problems.. don’t let it get you down”. He advises one friend (“Starstruck“); “you’re a victim of bright city lights and your mind is not right…. running around like you’re crazy… out on your feet – It’s gonna drive you insane because the world’s not so tame”.

The writer admits; “I sought fame, and so I left the village green.” But he has somewhere to return to; “I’ll take you where real animals are playing, and people are real people not just playing. It’s a quiet, quiet life”. The village green offers a place to be natural, a place of solitude, while the “city” offers only artifice, haste, competition and the dangers of the Cold War. The animal farm, Ray Davies said, “was just me thinking everybody else is mad and we are all animals anyway – which is really the idea of the whole album.””

It really puts the album into a new perspective getting an introspective look at the writer’s mindset when creating the album and it really added a lot, for me at least. And obviously who can say what they’re doing better than the writer themselves. I really get a sense that he was just plain fed up of the world and he vented all his frustrations into this album. The energy he put into it really shows and it’s easily their best album (at least of the ones I’ve heard on this list). It’s nice to see The Kinks finally fall into place and having seen their progression and growth, this is probably the peak of their career, which is a shame because getting the chance to watch them grow beyond this would have been quite a spectacle to witness.

What else can I really say about this album without going into a song play by play (which I will not do). It’s essentially just the masterwork of a band that has been building up to this sort of climax for awhile. They finally achieved it and can finally sit back and know that they’ve managed to create something that remains both timeless and old, a difficult feat to achieve. In days like today where technology is moving fast and everything is becoming more and more artificial, it’s good to have moments like this where we can hold on to older and more slow-paced days. The idea of the Village Green is definitely an idealistic one but one we should all go to every now and then to remind ourselves that it’s ok to slow down every once in awhile.

Also getting some peace of mind isn’t bad either.

Song of Choice: Picture Book

-Bosco

p.s Funnily enough, all this talk about the world being artificial and I was listening to Kraftwerk’s “The Man Machine” while writing this. Pure coincidence, did not do that on purpose.

 

1001 Albums: Something Else by The Kinks

#97

Album_97_Original

Artist: The Kinks

Album: Something Else by The Kinks

Year: 1967

Length: 36:17

Genre: Rock / Baroque Pop

“I am a dull and simple lad
Cannot tell water from champagne
And I have never met the Queen
And I wish I could have all that he has got
And I wish I could be like David Watts”

The Kinks are back! Should I be this excited? No, not really, I’m actually not. I thought it’d just be a great way to start the post… with energy and stuff… you know? I honestly couldn’t even remember how many Kinks albums I actually listened to on this list. I checked… it was only one… I seriously thought it was two or three… don’t know why. It’s possible all these albums are starting to blend together into one big mashed potatoes of music and I’m having trouble distinguishing between them (despite most albums have their own unique sounds). It could be because of my really long hiatus from listening to the albums that I figured I listened to Face to Face months ago, I surely had listened to more than one Kinks album… right? RIGHT?

Either way, that’s unimportant. Point is The Kinks are back and are for the most part really fun and enjoyable. It honestly didn’t feel like much of a step forward from their last album and felt more like an extension of it with a continuation of their tongue in cheek observations of English life. Each song feels like a portrait of a character or situation that you’d typically find in their daily lives but what makes it more than straight forward is the satirical take on them with a dash of cynicism and wit. I had a ton of fun listening to this album, heck I saved most of the songs on my Spotify playlist, which I hadn’t expected at all.

This feels like it’s  hidden gem of a Kinks album. I mean, I don’t know if it actually is or not since I haven’t listened to any other Kinks albums and I’m basically talking out of my ass right now but I feel like it is mainly based on the fact that this album apparently didn’t sell well at all… anywhere upon it’s release. Due to it competing with cheaper Kinks compilation albums mostly, people just didn’t seem interested in picking up this album for whatever reason (the reason I mentioned above). Kind of odd seeing how fun the album is. It really has a sentimental and nostalgic vibe to it that feels like a snapshot of 60s England that never feels dated either. It feels like this album despite sounding old has aged very well and still works even today, as if it was a stylistic choice to be the way it is… I don’t know, I’m not The Kinks. I especially love their use of harpsichord, but I think I’ve always been a sucker for it. It gives this sort of medieval sound to it that I always enjoyed, I really hope there’s more harpsichord in future albums (not just The Kinks) because I really do feel there just isn’t enough harpsichord in general in this world.

THE WORLD NEEDS MORE HARPSICHORD!

…Please…

Song of Choice: Death of a Clown

-Bosco

 

1001 Albums: Forever Changes

#87

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Artist: Love

Album: Forever Changes

Year: 1967

Length: 42:05

Genre: Psychedelic Rock / Baroque Pop

“What is happening and how have you been
Gotta go but I’ll see you again
And oh, the music is so loud
And then I fade into the

Crowds of people standing everywhere
‘Cross the street I’m at this laugh affair
And here they always play my songs”

Well, well, Love, we meet again. Feels like not too long ago we encountered each other for the first time and here we are again. What will you bring for me today? What wonders and marvels will be at my ears this time around? I loved Da Capo, will I love this one as much? Who knows but the excitement and anticipation is killer as usual (even though the album has already started playing as I write this). We shall see.

It seems there’s a lot of history associated with this album. Coming so soon off Da Capo, the band was in jeopardy of breaking up due to a lot of struggles within the band itself. Members doing drugs, fighting for control and just not agreeing (especially between Arthur Lee and Bryan MacLean, the two main songwriters) with the former even refusing to tour for some time, it seemed they had one last shot to give it a go. Trying to capitalise on the whole flower power and summer of love movement happening t the time, they decided to make it a more hippie style album, especially compared to the last one. It seems Arthur Lee, despite being part of the counter culture never subscribed to the whole flower power idea, stating that sunshine wasn’t enough to cure all the darkness in the world. SO as much as this album has those sensibilities of the hippie movement, there’s Arthur’s frame of mind sprinkled throughout to never get it to that point.

This is considered one of the greatest psychedelic music albums of all time and I guess I can sort of see why that is. Musically it’s incredibly strong and the band seems to be tighter than ever. They’ve expanded their talent and have grown considerably from the last album, delving more artistically into their work and pushing their song writing to the limits. However, it’s not really doing much for me. I think that’s more due to the style rather than the music itself. There’s a lot of elements of Folk here and we all know my sentiments towards folk, a genre I respect but just am not into. The only song I’ve previously heard from this album is “The Red Telephone” while taking my psychedelic music class. It was that and “7 and 7 is” that introduced me to the band. I always loved the latter way more than the former… so maybe that should have been an indication of how I’d feel about this album.

You really do get a sense that Arthur Lee is trying to take snapshot of how things were. A moment in time, a memory that he wanted to preserve before things got really bad. You can hear it in the music and in his vocals. He sings with a sort of desperation that’s hard to recreate. A desperation to just keep things together and make sure that they stay together. It’s almost sad, but never quite gets there.

As “The Red Telephone” plays it brings back vague memories of when I was in that class. Times seemed great. Had a best friend at the time (we’ve sadly parted ways in a really bad way) and we were in the class together, cracking jokes and all around just having a good time. It’s funny how life goes, eh? You think you have things set and things will stay that way. But sometimes even the best things turn bad. One second you’re super close to someone and love them and the next you find yourself hating everything about them. How does that happen? How do you go from being so close to so distant like you’ve never known them. Feeling like you suddenly are nothing and are made to seem useless and worthless in someone’s life is never a good feeling… but how can someone do that? How can someone just click that part of their brain off and throw someone away so easily like they’re a toy that they’re done playing with? How can some people be that awful?

God dammit album… what are you doing to me? I wanted to be happy not reminisce about sad shit. This album seems to have a weird power over me as it plays. It must be the vibe. Definitely has this solemn aura that just affects you. Funny, how music can do that to you sometimes…

Before this gets worse, I’ll sign off here and let the album finish.

Song of Choice: A House is not a Motel

-Bosco

PS. Finished it and I have to say it’s a really solid album and is strong overall. Good shit.

 

1001 Albums: Headquarters

#85

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Artist: The Monkees

Album: Headquarters

Year: 1967

Length: 31:10

Genre: Pop Rock

“Love is understanding
Don’t you know that this is true?
Love is understanding
It’s in everything we do

In this generation (in this generation)
In this lovin’ time (in this lovin’ time)
In this generation (in this generation)
We will make the world shine”

Well, I’m happy I’m getting a little break from psychedelic music. Unfortunately that little break is The Monkees, also known as a poor man’s Beatles. If I had known I’d be getting some straightforward mushy pop rock in place of psych music I would have never made that wish… but what can you do?

It’s not that The Monkees are bad… they’re just listenable as a whole. Another easily digestible and accessible band for the masses to enjoy ad nauseum. I wouldn’t have expected to see The Monkees on this list at all especially knowing their big pop hits as a whole. Everyone knows “I’m A Believer” which is a catchy tune but nothing to really brag about as being amazing music for the history pages. This album does have the distinction of being the first album where The Monkees had full creative control over. It seems in the past they had studio musicians and writers creating the music for them and it was really here where they fought hard to get their creative control and write all the music themselves. Which is cool, I guess… but really, who cares? It’s the fucking Monkees, I don’t think they really hold that kind of weight that someone who picked up this book was so excited to hear about their album where they finally gained full creative control. Like wooooooow, jesus.

Ok, I know, I sound a little bitter here. Did The Monkees hurt me in some way in the past? Where is this all coming from? Honestly no where. I don’t hate The Monkees at all. I’ve found myself enjoying their music in the same way anyone enjoys pop music. It’s fun, you enjoy for the three minutes of play time and then you move on to the next. I find it difficult to understand why it’s even here on this list. I’m currently six songs in and absolutely nothing has really stood out as being that outstanding. “Band 6” comes close as this little piece of absurdity that’s only 40 seconds long within a whole heap of pop songs that follow your rather generic and bland love themes. But even then it was so short that you barely notice it go by.

I mean, so far nothing has been bad… the music is decent and the tambourine playing is ok. Lyrics are nothing out of the ordinary for pop music and the vocals are good… I honestly can’t think of anything really to say that has any real weight or merit to mention, except that it’s pretty great that at least the band can say they did it all by themselves. Fantastic, participation medal for you. You’re all big boys now. Congratulations.

These songs for the most part aren’t even that catchy, none are sticking in my head or catching my ear, and I’m listening man, I’m listening hard. It’s really doing nothing for me at this moment. And hey, if you love this album, that’s cool, I’m happy for you… It’s unfortunately doing nothing for me at this moment. Maybe I need more of an open mind to really really… and I mean REALLLLYYYY get it. But… nah fuck it, I don’t feel like it. It’s straightforward pop music and there’s really nothing else to say about it. It’s formulaic, shallow and bland… good family friendly radio music.

From the last paragraph to this one I decided to go do my dishes as the rest of the album played. I figured it’d be a better way to spend my time rather than staring at this blank screen trying to figure out what to say. Shame too, because side b decided to become slightly more interesting, unfortunately the album at this point had already lost my interest enough to really care to stop my dishes and come back. There was an experimental track “Zilch” which was basically just spoken word that I felt this album just did not earn to have on it. You can’t give us all this pop music only to suddenly throw in this piece of experimental spoken word. Other than that and some upbeat tunes, I can’t really say anything noteworthy occurred. The final tune is pretty cool… so I guess that’s something.

Ugh, final thoughts… Straightforward pop music with some interesting tunes sprinkled about here and there but for the most part nothing really extraordinary or worth mentioning. Unless you like this kind of music, just skip it, you’re not really missing out on much.

Song of Choice: No Time

-Bosco

1001 Albums: Moby Grape

#82

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Artist: Moby Grape

Album: Moby Grape

Year: 1967

Length: 30:47

Genre: Psychedelic Rock

“What is this feeling my heart gets when I see you smile?
And why can’t I say to you “Come with me just for a while”?

I guess I’ll never know why
I’ll just lay here and decay here”

I’ve slowed down quite considerably. I realise I start most of my posts these days with how I keep delaying them and how I ain’t as speedy as I used to, so I’m going to try and avoid repeating that, but just like any marathon, there’s bumps in the road where it seemingly comes to a halt and doesn’t want to move forward. I think this is the longest I have gone without writing a post, more than two weeks, which is crazy for me. If my goal was to complete the list within three years I’m definitely doing a bad job at it. But hey, the goal is to listen to the entire list as long as I eventually do that, that’s all that matters, no matter how long it takes.

It doesn’t help I’ve been a little distracted with life. I seemingly never get a moments rest. I have school during the week then work weekends and if I’m lucky, I’ll have one day off. Sometimes Sandra comes up to visit me, sometimes my parents do. On free nights I hang out with friends… or I sleep. The blog seems to have taken a step into the background and has dropped on the list of priorities and motivations, which on one hand I get why but on the other… I’m not really happy about it. It also doesn’t help that I started doing this new thing with my friends where we’d each suggest three albums we love to each other and would listen to all of them to broaden our music horizons and get to know each other’s tastes better. I’ve been doing that a lot. Still listening to music just not the 1001 albums list. In between those albums I should play one of these so at least I can keep up the rhythm of it and get back into things. That’s always the hardest part when you fall out of routine, getting back into it.

No matter, on with the blog.

I listened to this album about three times. One, because I love it and Two, because of the delays I kept forgetting it. It’s also one of those albums that for whatever reason is only partially on spotify. Like half the songs are there but the other half are grayed out… not sure why. I know that it’s up to the artist or publisher to release the music on spotify and what can and cannot be heard… but why only half an album? Whys hare some but not all? It’s a weird phenomenon that seems to happen regularly on Spotify, but thankfully the whole album was on Youtube. I had to replay it a ton of times so I can listen to it straight through without any ads popping up throughout, which is really fucking annoying, but what you gonna do, beggars can’t be choosers.

So like I said, I really love this album. I had been exposed to Moby Grape years ago in my Psychedelic Music class. Teacher showed us Omaha and I immediately fell in love with it. My friend at the time and I would sing it out loud all the time and would have it play on repeat. Funny story, when the exam came around and it was the listening portion where the teacher plays a song and you have to say the name, artist and two fun facts, this one came on and my friend had no idea what the name of it was. See, he was relying on the fact that most songs sing the name of the song in the song itself, that would jog his memory. Jokes on him because Omaha never appears as a lyric in this song. HAHAHAHAHA.

It’s not that funny, sorry.

It’s kind of sad that more people don’t know about this band. I mean, I would have never heard of them if it wasn’t for that class and I really do thing they’re an incredibly undervalued band that should get wayyyy more recognition than they do. One listen to this album and you know why. They manage to blend so many different styles of music into one album that it’s shocking how well they were able to make it flow despite the stylistic shifts. One second you’re listening to a bluesy rock song, the next a sample from psychedelic music history, and then followed by country influenced riffs, some proto-punk, folk stylings and ballads. An album this uncohesive shouldn’t work on paper but works amazingly in practice and it is mainly due to the talent of the band. Every single member shares in writing credits and it’s a rare moment where every member appears as lead singer at least once and even features a guitar trio the only other band at the time to do this was Buffalo Springfield). And they do it very effectively too. Three guitarists fighting to win a guitar battle and creating a collage of sound that just works so beautifully together.  It’s just a really fucking good album that I honestly feel needs to be noticed way more than it is. There isn’t one bad track on the entire album and even if you’re not crazy about one song, you’ll most definitely love another just because of the variety of styles they offer. This is hailed as a masterpiece and I could argue to agree with that statement. It’s rare that I listen to an entire album on the first sitting and am completely enamoured by it, I thoroughly enjoyed every single song off of it.

I also love some of the history behind this band. The album cover itself generated a lot of controversy mostly due to Don Stevenson flipping the bird on the cover (which would be airbrushed out in future pressings) and the use of the American flag in the background, which for some reason was a big deal and was airbrushed a solid colour (either red or black depending what issue you have) so it looked like a regular flag. They also had issues with their band name. It seems after some weird legal contract they signed, their manager was the full owner of the band causing the band to release future music under names like Grape Moby, Maby Grope, The Melvilles, etc, in order to legally perform publicly without conflict from Katz (their manager). I think this is a big factor as to why Moby Grape sort of fell away from the mainstream eye, their follow-ups would never be as good as this one and thanks to all their legal disputes and lawsuits with Matthew Katz, they seemed to just be in a constant decline of unnecessary headaches and woes. They would probably have been way more successful and even considered in the same light as The Beatles and Rolling Stones if it weren’t for all those troubles.

Fascinating, yet sad story.

I’m glad to see within the music enthusiast’s community Moby Grape is held in quite high regard and deservedly so. If only we could bring their greatness to the masses then that would just be great.

Song of Choice: Omaha

-Bosco

1001 Albums: Blues Breakers With Eric Clapton

#73

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Artist: John Mayall and the Blues Breakers

Album: Blues Breakers with Eric Clapton

Year: 1966

Length: 37:39

Genre: Blues Rock

“You’ve been mistreated, little girl,
But I swear, I swear it’ll be outgrown.
You’ve been mistreated, little girl,
But I swear, I swear it’ll be outgrown.
I’m gonna give you a love, child,
Something you’ve never known.”

So, I’m basically 95% done with this semester. Have all my exams written and just have to complete one final assignment. Decided to kick it old school and do one of my Green Screen videos again. Haven’t done one in awhile but have been wanting to, so took advantage of this assignment to finally do another. With all that mostly done and new free-time being presented to me, I hope to go back to how I was and try cranking out one post at least every two days. I think it’s fairly do-able at the moment, at least until I hit mid-terms and finals of the next semester.

So… John Mayall and the Blues Breakers. They’re not kidding when they call themselves the Blues Breakers. This is one fine blues rock album. From the very first guitar riff to the final notes, I found myself snapping my fingers and tapping my toes to some upbeat and hard rocking blues music. I am actually willing to debate that the opening notes of the opening track, “All Your Love”, is some of the most iconic and memorable openings of any song (Not the most, that award goes to Van Halen’s “Jump”, but definitely up there). Since I first heard it up to this moment that I am writing about it, it still plays clearly in my head on a constant loop. Anybody familiar with it would recognize that song instantly just from the opening riff. There’s really no low points on this album and it succeeds in keeping you engaged the whole way through. However, I should note that this is mostly thanks to Eric Clapton’s guitar playing and the actual Blues breakers themselves (but to be fair to them, they are very talented and bust their ass to give you some rocking blues).

I can back up what I said. You see, before this album was created it was originally intended to be a Live Album. John Mayall wanted to show off the energy the Blues Breakers had on stage, but specifically, he also wanted to show Eric Clapton’s skills. After a botched recording of their live show, they decided to go into the studio to record an album with the sole purpose of recreating their high energy performances but once again, focusing on Eric Clapton’s guitar playing. Why else do you think Eric Clapton gets special mention in the title of the album? This is more his album than the rest of the band’s and boy does it show. His guitar work is at the forefront of every song and he doesn’t disappoint. If their goal was to show off their energy and his talent, they succeeded tremendously. A particular high is the instrumental track “Hideaway” that just lets Clapton go all out on his own, riffing and playing to his heart’s content. This album would become highly influential mostly due to Eric Clapton’s playing, which would set a standard for the development of rock guitar playing (although we really should credit Chuck Berry for revolutionizing the rock guitar, but he’s not on this list because he was more of a singles guy, so Clapton will take the honor for it for now) and he would become one of rock history’s first Guitar Heroes (around this time graffiti was appearing everywhere on the streets calling Clapton a god).

I have quite a number of friends who actually aren’t crazy about Eric Clapton and think he’s a highly overrated guitar player. I guess I can see why. Listening to it now, he might seem a little dated and in comparison to other guitar legends who would appear on the scene after him, he does sort of pale in comparison. So, I can understand where they’re coming from. Unfortunately for them I think differently and still believe Eric Clapton can hold his own weight in guitar playing even to today’s standards.

As a whole, there are some forgettable (yet really good) songs on the album and I wouldn’t say the album itself is really top 10 material. I mean, without Clapton this album would have probably fallen into obscurity as just another ok blues rock album. (In all fairness I should be giving credit to John Mayall as well for doing solid work). Before coming into this band, Clapton was part of the Yardbirds but had to leave due to creative differences. He felt they were too pop for his tastes and wanted to tackle more blues-inspired music with a mix of hard rock. The meeting of John Mayall and Eric Clapton was a stroke of luck for the two men, who thought identically about what they wanted to do. If it weren’t for that I don’t think this album would even exist as it does. Even though the rest of the band is talented, I feel a lot of it’s success did fall on the shoulders of Eric Clapton who gave it it’s blues-inspired energy and rock infused riffs.

Ok, ok, I’ll stop mentioning that. I realise I’m repeating myself about Clapton and the band, but that’s honestly what I feel about it. So instead of repeating myself once again I’ll leave you with some of my own blues-inspired lyrics:

I got out of bed
had me some lunch
It tasted real bad
So I took a cat nap
lasted three hours
Oh, little girl
I’m sorry I missed your show
But the fact of the matter is
I never wanted to go

*Harmonica blairs, guitar explodes, everyone cries*

Song of Choice: Hideaway

-Bosco