1001 Albums: I Had Too Much To Dream (Last Night)

#101

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Artist: The Electric Prunes

Album: I Had Too Much To Dream (Last Night)

Year: 1967

Length: 29:47

Genre: Psychedelic Rock / Garage Rock

“Last night your shadow fell upon my lonely room
I touched your golden hair and tasted your perfume
Your eyes were filled with love the way they used to be
Your gentle hand reached out to comfort me
Then came the dawn
And you were gone
You were gone, gone, gone

I had too much to dream last night
Too much to dream
I’m not ready to face the light
I had too much to dream
Last night
Last night”
Keeping up the pace with this list. If I want to make it to 1001 before I die (which I think is the goal in general) then I really need to pick it up. To be honest the listening part is the easy part. The writing the blog posts and doing the photoshopped covers is really what usually slows me down otherwise I probably would be way farther in the list by now. It’s hard to find time sometimes to sit down and crank one of these out, especially if a lot of time has passed since I heard the album and I basically forgot about it. When I started this challenge, I made it a point to write a post the night of listening to an album, but things change and it’s become tougher in general. But no more of that. Time to take my life into my own hands and get back on track.
I really liked this album. It’s another one of those bands that appeared in my famous Psychedelic music class (forgot to mention Jimi Hendrix did too but that wasn’t important). So, I had exposure to this band and have heard of them before. I got excited because as much as I’m getting bored of psychedelic music, I love 60s garage rock and that outweighed my boredom with psychedelia. How does it compare to other fusion bands? Not sure if I can say the best, but their mix of Psychedelic and Garage blends together almost seamlessly that it’s hard to tell where each begins and ends. That was an aspect I really liked about it. Other than two songs (The King is in The Counter House and The Toonerville Trolley) which had more of a ragtime, children’s story feel to them, the rest of the tunes hit you hard with that raw garage rock sound and muddy noise with backwards tape and psychedelic acid attached to it. The singer screams and yells at the right moments and takes it easy at others. And you get different tempos for different vibes. Fast ones for those like me who love to get pumped up (Get me to the world on time) and slower ones for people who like to enjoy their time (About a Quarter to Nine).
There’s definitely a cheeky feel to a lot of the lyrics but I think they decided to go more the psychedelic imagery route along with slight cheekiness thrown into it. It’s really hard for me to find things I didn’t enjoy about the album. The album is in no way perfect or even the greatest thing ever, but for garage rock lovers it’s really a great album that holds up from beginning to end (even at the slightly weirder parts). It flowed really well and it’s short run time seems to feel even shorter than it really is. Maybe it’s my personal taste bias that feels this way, but what you gonna do?
I don’t really have much else to say about this album mainly because it’s a little hidden gem from the big year of 1967. It was a garage rock album that really made an impact and stood out as being it’s own unique specimen but definitely got overshadowed by all the big albums that came out that same year. Shame because it’s a great album all the way through and deserves more recognition than it gets. (Unless it’s getting tons of recognition that I’m unaware about. If that’s the case than excuse my ignorance).
Now excuse me while I go sleep and possibly dream too much (lame I know… fuck you, whatever).
Song of Choice: Get Me To The World On Time
-Bosco
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1001 Albums: Are You Experienced

#100

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Artist: The Jimi Hendrix Experience

Album: Are You Experienced

Year: 1967

Length: 40:12

Genre: Acid Rock / Psychedelic Rock

I know, I know you probably scream and cry
That your little world won’t let you go
But who in your measly little world
Are you trying to prove that
You’re made out of gold and, eh, can’t be sold

But first, are you experienced?
Have you ever been experienced?
Well, I have

It’s happened folks. It’s finally happened. I’ve broken into the triple digits, I’ve finally hit album 100! And perfect timing for celebration since it is Christmas too (or was at the time I’m writing this). I’m officially at about 10% of the entire list. I started about a year ago so at this rate I’ll finish the entire list in ten years. Ten years… gotta pick up the pace a bit I think. Either way, it’s a big milestone in this challenge and one I’ll hold dear to myself because it’s proof I won’t give up and will keep doing it no matter what. I will make it to the end.

And what an album to do number 100 on. I think currently one of the best albums I’ve heard so far on this list. From beginning to end it’s just a powerhouse of guitar playing and psychedelic music. I’ve heard songs from this album before (Are You Experienced, Third Stone From The Sun, The Wind Cries Mary, Purple Haze (the last two from countless hours of playing guitar hero)) but had never listened to a full Jimi Hendrix Album before. Believe my shock when a ton of his biggest hits all appeared on his debut along with some other fantastic songs. To call this one of the greatest debut albums of all time is a bit of an understatement. This sounds like a band that have been playing together for years and years and been developing their sound. They managed to do in their first album what many bands and artists don’t achieve until their third. I really wish I hadn’t missed out on this album when I first heard about Jimi Hendrix, but I didn’t because I wasn’t really into Psychedelic music at the time and two I was as open-minded as I was today.

Jimi Hendrix is easily one of the greatest guitarists of all time. I’ve heard that phrase so many times and everyone I ask always puts him in their top 5 lists. Listening to this album, I now know why. Putting aside the fact that he has such a distinct sound to his guitar. I mean, you hear it play and you know exactly who it is. There’s no one else that sounds like him and he’s managed to really capture his own sound that people would try to emulate but no one can sound like Jimi Hendrix, it’s his sound not yours. Putting that aside, his playing his also really unique, fusing rhythm and blues influence, with some free-jazz stylings and psychedelic music, he clearly was trying out new things that suited what he wanted and it worked very well and to his advantage. He didn’t care what people said, he wanted to play his way and he did. His producer even made sure he had full creative control over the album so the band wouldn’t have to compromise over their songs. Smart choice because this whole album just oozes with Hendrix (I think, I don’t know, just talking out of my ass again).

There’s such a fascinating and long history about this band an dhow Jimi Hendrix got to where he is. Wasn’t successful in the Rhythm and Blues scene, moved to England, met a manager who loved his rendition of Hey Joe, got a band together and boom, dynamite album. That’s the most brief and condensed version I can tell you because I’m not going to sit here talking about the whole thing. I’ll leave it to you to find it yourself and also it’s been said many times before, I don’t want to just reiterate.

Speaking of which, what can I really say about this album that hasn’t been said already? Everyone has talked about this album to no end already so there isn’t much I can add to the conversation. All I can say is as a first-timer, it was a great experience through and through and I feel I really need to listen to it a second time to truly experience the full experience of Are You Experienced.

Not sure what else to say so I will end this post with a cover of Are You Experienced by my favourite band Devo:

 

Song of Choice: Purple Haze

-Bosco

p.s I’m not sure what version of the album I listened to… doesn’t seem to be the Uk or Us release or any of the other versions… Spotify seems to have it’s own unique version that included every song from both releases, hence why I said Purple Haze despite it not being on the original UK release… oh well.

1001 Albums: Sunshine Superman

#98

Album_98_Original

Artist: Donovan

Album: Sunshine Superman

Year: 1966

Length: 42:59

Genre: Psychedelic Folk

“Sunshine came softly through my a-window today
Could’ve tripped out easy a-but I’ve a-changed my ways
It’ll take time, I know it but in a while
You’re gonna be mine, I know it, we’ll do it in style
‘Cause I made my mind up you’re going to be mine”

Wait… Hold up a minute… Am I reading this correctly? What the hell is going on? I must be going crazy here. This can’t be right. Does that say… 1966? 1966?!?!? 19 fucking 66??? I spent all this time listening to album after album in 1967 only to be setback to 1966?? How is this even possible? How do they order these fucking albums on this list? I always thought it was chronologically but now I don’t know what to believe anymore. Just when I thought I was making it to the end it turns around and goes in reverse. What, is the next album back in the 50s? Will I hear something from the 40s? Doesn’t make any sense but at this point I would believe it could happen.

I digress.

What truly is amazing is that I’m making two posts in one day. That rarely ever happens. I usually try to avoid that because one of the two entries always gets lost in the ether of the internet doomed to only a small amount of views. But I need to catch up, I’m already halfway through the next album and don’t want to get bogged down with all the posts I need to write and also I don’t want to forget the album itself either. When you listen to an album once and listen to many others after, it’s easy to not really remember it that much, unless it really captivated you in some way, and even then my memory isn’t the greatest. I’ll remember loving it but ask me to recreate the songs and I will barely remember how they sounded. Sounds odd but it makes sense because I remember how I felt while listening more than the details of the song.

That kind of happened with this album. I remember listening to it and the general feeling of the whole album I had while listening to it, but I can’t remember the details of it. This actually happens with most albums I listen to but it was especially with this one. It’s another mix of Psychedelic folk that I guess I just wasn’t that crazy about. Loved it with Jefferson Airplane but here Donovan really takes the folk root with some long (one going as far as 7 damn minutes) and repetitive tunes that feel like a bore and a struggle to get through. Thankfully he contrasts those tunes with some fantastic ones, with Sunshine Superman and Season of the Witch clearly being the stand-out ones, and a fun folk tune called The Trip that even though is long and repetitive, it’s upbeat enough to keep you engaged the whole way through, it never feels boring is what I’m saying.

The psychedelic tunes are easily the best songs on this album and although a lot of the folk tunes delve into medieval imagery and stylings, which if you’ve read my posts you know I am a sucker for medieval things, no idea why. That’s something I’ll eventually look into. But really isn’t important at the moment… is it? I don’t think so… no, it isn’t…

As I was saying, even though the folk tunes still captured an image of something that captivates me I still found it a bit of a struggle to make my way through them (Legend of a Girl Child Linda comes to mind). But what really makes up for it is Donovan’s delivery of his vocals. He’s a damn good singer and sings with a youthful quality that really adds to the whole experience. Even if you don’t like the music at least his vocals will win you over.

So as a whole the album is really hit and miss, but the high points are really strong and well worth the time invested. I have a strong feeling this album was mainly included for its two biggest songs, but Donovan does seem to blend psychedelic with folk in a really strong way and it’s nice to hear some well needed sitar sprinkled throughout. I’ll always feel half and half about this album, but at least the half I do like I really like and that’s all that matters to me.

Song of Choice: Season of the Witch

-Bosco

 

1001 Albums: Surrealistic Pillow

#96

Album_96_Original

Artist: Jefferson Airplane

Album: Surrealistic Pillow

Year: 1967

Length: 34: 48

Genre: Psychedelic Rock / Folk Rock

“When the truth is found
To be lies
And all the joy
Within you dies

Don’t you want somebody to love
Don’t you need somebody to love
Wouldn’t you love somebody to love
You better find somebody to love, love”
Winter has been slowly approaching. Temperatures have dropped considerably forcing me to pull out my tuque and scarf and wear my oversized winter coat. But do you think I’d wear any boots? Of course not, Converse all year, every day. I also don’t own a pair of boots so that kind of factors in to the whole not wearing boots thing. You would think I’d be prepared for winter seeing as I lived in Montreal my whole life where winters are pretty brutal, but the exact opposite effect has occurred. I’m so used to it I’ve trained myself to survive through it with the least amount of effort. I hate boots, absolutely hate them. They’re clunky and big and just awkward. The least amount of time I can go without wearing them, the happier I will be.
I digress, I’m not here to talk about boots and winter. I’m here to talk about albums. A whole list of albums from 1967 it seems because I feel like I’ve been stuck in this year for eternity. It never ends. Everytime I think I’m closer to the end, it just swoops me back in. 1967 must have been one hell of a year for music because it’s like the never-ending story here with musical albums. Maybe it’s not actually that bad and my perception is just a little warped due to not listening to the albums as frequently, but I’m so close to the 70s that I just want the 60s to end so I can move on. I don’t think I can take anymore psychedelic albums. I mean, they were great at first because they felt like a break from all the pop music from the early 60s and just added a little flavour to something different, but now I feel like I’m stuck in the flower power era of hippies and acid and t feels like it just goes on and on.
It’s funny you would expect me to hate this album since it’s a mix of folk rock and psych music with a heavy-dose of flower power hippie ideals and the age of the summer of love and woodstock feelings. A great ombination for me to just despise. But, I actually love this album very much. I was already a huge fan of their big hit “Somebody To Love” a song I was widely addicted to for a very long time and their other hit “White Rabbit” brings back memories to such a memorable scene in a movie I love, Fear and Loathing in Las Vegas, so Surrealistic Pillow is the exception to the rule for me I guess.
Ok, so I could probably do away with some of the pure folk tunes. Especially the ones near the beginning like My Best Friend and Today. It’s such a tonal shift after the first two songs that it really took me out of the album. Started strong only to transition into two pretty cheesy songs that I feel just don’t fit in with some of the rest of the tunes. The best music off the album was either their high-energy folk tunes or their blend of folk and psych tunes, the pure folk stuff feels like filler and just brings the album down since it doesn’t really add anything new and stands out as bad especially compared to the rest of the album.
That being said, the good tunes are really good and hit nice and hard into your ears. The title Surrealistic Pillow gives me the idea that it’s supposed to be some sort of acid dream, where you fall asleep and let your mind get lost into a drug-induced trip. I don’t know if they achieved that here but there is definitely a dream like quality to it that you can just lie down and get lost to throughout. I don’t know, either way it’s a great album and considered the quintessential album of the 60s counter culture, so that’s gotta mean something.
Now excuse me while I enjoy some pancakes and mentally prepare myself to brave the cold.
Song of Choice: Somebody to Love
-Bosco

1001 Albums: Younger Than Yesterday

#94

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Artist: The Byrds

Album: Younger Than Yesterday

Year: 1967

Length: 29:11

Genre: Psychedelic Rock

“Ah, but I was so much older then
I’m younger than that now
Half-wracked prejudice leaped forth
Rip down all hate, I screamed
Lies that life is black and white
Spoke from my skull I dreamed
Romantic facts of musketeers
Foundationed deep, somehow
Ah, but I was so much older then
I’m younger than that now”

The Byrds are back and at it again. I honestly didn’t expect to see The Byrds appear so often on this list, but that’s mainly because I only knew two Byrds’ songs so I was kind of surprised to see how much influence and impact they made, especially in the 60s. Younger Than Yesterday doesn’t feel like anything spectacular or really new when it comes to the band. It’s exactly what you’d probably expect from The Byrds, I know it was for me. The minute the opening notes of the opening song started I knew I was in for a very straightforward Byrds album. Nothing more and nothing else.

That being said I thoroughly enjoyed it and thought this album was a blast. It was a ton of fun from beginning to end. It threw in some nice surprises once in awhile showing off the groups experimentation with psychedelic rock. A mix of reverse tapes, odd instruments and some mind-melting sections of their songs added some decent touches to the album that at least made it feel like a step forward from their previous efforts so it wasn’t 100% just more of the same. It honestly doesn’t disappoint as a Byrds album and it’s uniform enough to keep you engaged the whole way through, with some tunes slowing down to allow you to take a breath and others just being a ton of fun.

This album reminded me a lot of The Beatles’ Revolver in a lot of ways and for some reason I felt a sort of parrallel. If I was to make an analogy I would call this the Byrds’ Revolver, a maturing band trying new things but still keeping what made them them. But where I felt Revolver was a bit of a mess and felt more like a compilation than an album this one stands out as being incredibly cohesive and despite the different styles they do try out (folk and country being an example) it somehow still flows really well from one song to another and no song ever appears in a jarring way. There’s such a natural progression to the whole album that you don’t even feel the time pass. I remember checking to see which song I was at only to find I had two songs left. That’s always a good sign in my books. I honestly do feel like The Byrds were the American equivalent of The Beatles and although The Beatles had emerged as bigger and more mature by this point, especially musically, it does sound like The Byrds are working their way up to that point. That could just all be speculation since I’ve never heard any of their later albums, but they do have a few more yet to come on the list, so it’s very possible they could meet that expectation (although I read they sort of delve into country rock later on and seeing as I’m just not a fan of country music it’s possible I might either hate it or love the Byrds take on it… who knows).

If you like The Byrds this is definitely one to check out. I feel it stands the test of time better than their previous albums. Their first albums feel sort of stuck in their time but this one comes across a little more timeless, even with the very obvious 60s vibe. Put it on today and it still feels a little fresh. But just a little. I guess I could say this is currently my favourite Byrds album but I’m not about to start ranking the albums of every band that has multiple albums on this list. So, I’ll just leave it at that, a fun and enjoyable Byrds album that I’ll probably take a listen to again at some point in my life… possibly.

Song of Choice: So You Want to be a Rock n’ Roll Star

-Bosco

1001 Albums: The Doors

#93

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Artist: The Doors

Album: The Doors

Year: 1967

Length: 44:48

Genre: Psychedelic/Acid Rock

“This is the end, beautiful friend
This is the end, my only friend, the end
Of our elaborate plans, the end
Of everything that stands, the end
No safety or surprise, the end
I’ll never look into your eyes, again”

I am both happy and sad a this moment. Happy because I absolutely love this album and I would easily rank it as one of the best albums of the sixties. Sad because for the first time in my blog I have not been able to meet something I wanted to do. You see, I wanted to play this fun game called Albums I Actually Own. It wasn’t really a game to be honest but the idea was everytime I encountered an album I own on Vinyl I was going to post a picture of myself holding it up. Yes it’s a little self-indulgent, but my vinyl collection is one of my most prized possessions and I’m really proud of it. We all have hobbies and things we love dearly, vinyl collecting just happens to be one of those things for me. Unfortunately since I moved to Toronto I had to stop with the vinyl purchases due to monetary issues (suddenly paying rent and bills and having a job that can only pay for that really makes it tough to spend on luxuries) so my collecting has halted until I start making enough to go back to it. Also unfortunately my entire collection is still back in Montreal meaning when it came to playing Albums I Actually Own I couldn’t get a snapshot of me holding it. Oh well…

But that being said, I won’t give up.

So the first album to appear on my very special edition of Albums I Own is in fact The Doors!

[insert photo one day]

Ok enough of that, let’s hit the album. Metaphorically of course, not… physically… that would be bad.

The Doors was another one of those bands for a long time I was kind of avoiding out of fear I’d be disappointed since I met so many people who considered them in high regard. I eventually caved in and discovered their debut and immediately fell in love with it. I’ll be honest I never really checked out their later albums and it’s really just this one I’m familiar with but that doesn’t change the fact that it’s one hell of a fantastic album. I honestly could listen to this one on repeat and never get fed up of it. Everything about it just works so damn well and is easily one of the best debut albums out there. Top 10… if not at least Top 20… if not at least Top 50… definitely Top 100… or 200…

It really is a milestone in rock music and a step forward for the psychedelic genre. The Doors blasted onto the scene with their own style, their own music and tried things that hadn’t been seen before. With a mix of flamenco influenced guitar, jazz trained drumming and some of the best organ playing ever heard, it made for a unique blend that only heightened the song writing of the group. Throw in Jim Morrison’s incredibly theatrical style of performing and you get a band unlike any other at the time. There’s no denying that The Doors really stood out as being their own band and redefining what we knew about music at the time. It was unlike anything at the time and even today holds up incredibly well and still stands out as it’s own unique piece of rock music.

I want to talk about my favourite part of the group and that’s easily their strongest and best player: Mr. Ray Manzarek. Maybe it’s because I have a soft spot for keyboards and keyboardists and have high respect for them since for the most part they’re often overlooked as people scramble to talk about guitarists and drummers (sorry bassists) but Ray Manzarek is easily the superstar of this album. Without his incredible organ playing this album just would not be the same. From the opening chords of Soul Kitchen that just bring you in and to the crazy note playing and solo of Light My Fire, which is just a mind-bending crazy experience, there’s no way these songs would work if it wasn’t for Ray’s keyboard licks and riffs. And the crazy part? While he was doing this kick-ass organ playing, his left hand was also playing the bass notes of each song. Now that’s some serious skill that not every group has (The only other one I can think of off the top of my head was The B-52’s, but I’m sure there’s more). He’s definitely in my top 5 keyboardists of all time.

I don’t really know what else I could say about this album because it’s really an experience that you as a listener need to experience for yourself. Maybe it won’t do anything for you, but it definitely does a lot for me and this is one I love to always listen to again when I’m in the right mood. It never fails to make me happy, even the long depressing final song of The End manages to make me smile, not because of its themes but just how great the music is. And The End really ends (haha) the album in a great way. It’s consistent in sound and flows beautifully where it’s almost 45 minute run time doesn’t feel that long at all. You immerse yourself in the album and just have a great time the whole way through (and clearly the band is having a great time as well).

This is definitely one for the history books in terms of rock music and one that will continue to stand the test of time for years and decades and centuries to come.

Never forget.

Song of Choice: Light My Fire

-Bosco

 

 

1001 Albums: Piper at the Gates of Dawn

#89

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Artist: Pink Floyd

Album: Piper at the Gates of Dawn

Year: 1967

Length: 41:51

Genre: Psychedelic Rock / Experimental Rock

Why’d’ya have to leave me there
Hanging in my infant air
Waiting?
You only have to read the lines
They’re scribbly black and everything shines

And it happened. I was wondering when I’d get to Pink Floyd. I knew they would come around eventually, I mean obviously they would be on the list… how could they not? They’re one of those bands, you know? The kind that evveryyoooone talks about as being soooooo amazingly amazing that they’re amazingness cannot be topped by how amazingly amazing they are? Also, I knew because I’ve already looked at the list and know they have at least three more albums on it… so… yeah….

I’ll be honest, I wasn’t looking forward to listening to this album… or any Pink Floyd album really. If you didn’t catch on my sarcasm in the last paragraph… I’m not a fan at all. I had the pleasure/displeasure (depending how you look at it) of listening to their entire discography a little over a year ago. Boy was I met with such a mixed bag of feelings and had no idea how I felt about them at all. To this day I still don’t know how to feel about them. All I know is that, I’m not crazy about them and you won’t find me seeking out to listen to their work or buy their albums, however… I can see why people would love them.

And I mean normal music-loving people and not pretentious stoner dudes who think getting high and listening to Dark Side of the Moon somehow elevates them to a transcendent state of mind that is awe-inspiring and mind-blowing, because seriously if you need drugs to enjoy something… that’s not a good sign. I hate those people. But… I do have good friends who re level-headed and grounded who love Pink Floyd and I can see their point-of-view.

This really is something different and unique. To call this psychedelic music is a little bit of an understatement. This takes the idea of psychedelia and turns it up to 11. If you told me Syd Barrett was high on LSD (which he was) then I would not be surprised. I’m actually more surprised that the rest of the band were pretty much sober. Only the whacked out mind of a man whose mind was slowly deteriorating would be able to come up with something like this. Which, sad story, actually happened to Syd Barrett. There’s a really heart breaking story where Pink Floyd were recording an album and some fat kinda sad dude walked in and it took them a long time before they realised it was their old friend Syd. They mentioned it as one of the saddest moments they ever experienced in their life. Even around this time, Syd would sometimes be so far gone, they’d have to drag him on stage and he’d just stand there with his arms hanging down. The crowd went nuts anyway because they just loved Syd, for better or worse. Syd seemed to have that kind of power over people and I think this debut album perfectly encapsulates everything that Syd Barret was, from the mind-warping to the insanely genius.

Every song is a little bit of him. You could get a straight-forward psych song such as Lucifer Sam and then have to sit through 9 minutes of almost hard-bop style jazz (Interstellar Overdrive). There’s even songs that trick you, starting off as a straight-forward song only to switch over and take you on a mind-bending trip (Take Up Thy Stethoscope and Walk). Anyone whose really into this style would easily put this at the top of their lists, and as much as I recognize all this… it still wasn’t for me.

No matter what anyone tells me and no matter how much I see it, I’ll never be into Pink Floyd. I just don’t get it, I guess. First time I heard this album a little over a year ago, it actually gave me a massive headache. I don’t know if that’s a good thing or a bad thing in retrospect, but headaches are never a good thing for me. I wish I could love them. I wish I could see what dorm room stoners see when they put a Pink Floyd album on. But I just don’t… maybe my personal tastes in music just suck, or maybe their just different, or maybe I’m counter-counter-culture and like just being against the norm… who knows?

Pink Floyd will always be one of those bands that left a mark on music history, alongside The Beatles and Led Zeppelin of every cliched top 10 list. But looking past my personal feelings… I guess I can see it and I guess that’s all that matters… I guess.

Well, I might be slowing down with the albums again for the next week or so. One of my favourite bands just released a new song and I have plans to write a separate article ranking their albums from worst to best. They have roughly 23 albums… so that might take awhile to plan out. But I’ll still try my best to get an album on the list checked off once in awhile.

Song of Choice: Take Up Thy Stethoscope and Walk

-Bosco