Artist: The Jimi Hendrix Experience
Album: Electric Ladyland
Genre: Psychedelic Rock / Hard Rock / Blues Rock
“Well, I make love to you
And Lord knows you’ll feel no pain
Say, I make love to you in your sleep
And Lord knows you felt no pain
Because I’m a million miles away
And at the same time I’m right here in your picture frame
(Yeah! What did I say now?)”
Here we are. Back to Jimi Hendrix. That would be three Jimi Hendrix albums in the span of roughly 13 album, they come at you quickly. It would also be the third and final album of the Jimi Hendrix Experience, marking this one as the final in a trilogy of sorts. And just like any finale, it’s bigger, bolder and more monstrous than it’s predecessors. It hits you in the head and knocks you out. A grand slam of finales. An explosion of music and fireworks to mark the end of a legacy that will live on forever.
If you hadn’t guessed by my last paragraph there, I really liked Electric Ladyland. I felt they had stepped it up from what I felt was a rather meh second album that I just didn’t engage with and went back to their first album with some hard rocking riffs, his famous guitar sound and some added layers to add that extra oomph the two other albums were missing. Clocking in at almost 76 minutes, which I was shocked to find out because it honestly did not feel that long and I felt like I zoomed through the album (which just proves how it sucks you in very well), it is quite the impressive musical feat. Jimi Hendrix would be both producer and director on this album for the first time having complete control and the album really shows off his perfectionist attitude to perfection as everything here sounds like it was meticulously crafted from start to finish. He was also notorious for doing multiple takes until they got it absolutely right and it really paid off here.
I’ll be honest, the first two songs made me nervous. They gave me flashbacks to Axis: Bold As Love and I was worried I’d have the same exact experience from that one. But once Crosstown Traffic hit, my attitude changed and I’m happy to say the rest of the album was really one hell of a great experience from there (one would even say it was a… Jimi Hendrix… Experience… HAHAHAHAHHAHAHAHAHAHAHAHAHAHA……ha). Voodoo Chile, which I always thought was called voodoo child and I kept reading it as Voodoo Chili (which to me sound deliciously spicy), is the longest song and despite going on and on it rocks hard enough to keep you going for it’s entire 15 minute length of time. And oh! Did you know Steve Winwood, my very own personal firetruck, has a guest appearance on it as the organ player? In fact, a ton of musicians had guest appearances on this album. It was said that the studio would end up so crowded with all these guests that it felt more like a party than a recording session. It would get so crowded that it was hard to move around. I don’t know about you but a bunch of top notch musicians creating some great music together sounds like one hell of a party to me. Sign me up anyday.
Electric Ladyland is also part of the ever growing list of albums that had controversial covers. I’m not talking about the one you see up there, which is completely harmless as far as covers go (unless you’re really disturbed by the fact he’s red and yellow and that doesn’t look like people! OH MY GOD!) but I’m talking about THE cover that had record stores ban this album or even sell it inside out as not to disturb the young, innocent eyes of everyone who enters. If you’re familiar with it than you know what I’m talking about. The famous nude women cover that look like this:
To be honest, this one at least makes more sense than the album covers that were considered controversial because they had a picture of a toilet on it. God forbid we see a god damn toilet. Apparently, Jimi Hendrix hated this cover and wanted it to be something completely different (he also hated the cover for Axis: Bold as Love but realistically he’s also a perfectionist so he was probably never happy anyway). This is nowhere as near to being like the famous Penis Landscape controversy from the Dead Kennedy’s album Frankenchrist, but I can easily see people having a hard time dealing with a cover like this back in 1968. Times are defintiely different now. Although it’s debatable if as a society we’ve become more prudish or desensitised to this kind of imagery, especially if it was sold out in the open, but with an argument for it being “art” who knows. I am curious to know what would have occurred if this came out in 2018 with this cover and what debates and conversations it would spark. But that’s not for me to start, just to wonder.
What else can be said of this behemoth of a double rock LP that hasn’t already been said? I can’t really personally add anything new to the table but I will share that it was a fantastic album that I thoroughly enjoyed and was happy that My Jimi Hendrix Experience (teehee) ended on this high note. If I had listened to the albums like I used to (meaning one a day) I probably could have sense a bigger journey form their first to here. Heck, I could always just listen to all three back to back and who knows, maybe Axis: Bold as Love will finally make sense to me. I really do feel there is a story to be told musically by listening to all three back-to-back, especially as you watch the evolution and growth of the band through each one. One day I might just do that, but for now I’ll leave with the happy memory that was me enjoying this four-sided beast of an album.
Song of Choice: Crosstown Traffic