1001 Albums: Da Capo

#83

Album_83_Original

Artist: Love

Album: Da Capo

Year: 1966

Length: 35:54

Genre: Psychedelic Rock/ Baroque Pop

“When I was invisible
I needed no light
You saw right through me, you said
Was I out of sight?

Whoa-oh-oh-oh, my love she comes in colors
You can tell her from the clothes she wears”

I’m doing something I’ve only done once before, I’m writing this as I listen to the album. I figured it’d be an easy way for me to get back into it and not worry about writing a post almost two weeks after originally listening to an album. To be honest, I don’t know what to expect from a band that calls themselves Love. I’ve had exposure to two of their songs (7 and 7 is and Red Telephone) the former of which is actually on this album and if this album is anything similar to 7 and 7 is then I’m in for a treat for sure.

Stephanie Knows Who just played, basically ended almost as quickly as it started. Real shame, I was enjoying that tune quite a bit. Great opener to start an album, it’s dancey and vibrant and full of energy and has some great harpsichord on it, which is always a plus. I wish it was a little longer though, especially compared to the 19 minute song found at the end of this album. Ugh… that’s gonna be fun to sit through. Not like I haven’t before, I mean I’ve listened to Kraftwerk’s Autobahn… many times, which is a 22 minute song that takes up a whole vinyl side like their finale, so it shouldn’t be so bad… will it?

So, I’m halfway through Orange Skies, big difference from Stephanie Knows Who (which is currently my favourite). Definitely hitting on the psychedelic side a little more. It’s got a summer of love feel to it with an essence of being high and floating, which I guess suits the name. There’s some cool flute on it too which I didn’t expect. Overall Decent tune.

Woo, QUE VIDA! I sound way more excited than I am about this tune. It’s along the same lines as the previous one and according to critics is a little unclassifiable as a tune. I guess? I mean it sounds pretty psychedelic with elements of pop… I don’t know maybe that’s just me. It’s interesting actually… apparently this album was a big flop when it first came out and even retrospective reviews are like… I guess it’s ok? With big criticism coming from the finale 19 minute song being the one that busted the album (but in retrospect was… ok they guess?). I don’t know if this is supposed to make me look forward to that finale, but hopefully it won’t be a torturous 19 minutes (which it could very easily be). Que Vida! is still playing and is really growing on me. One of those songs that at first I was like… ok not bad, but kind of stuck by the end. Always give songs a chance.

Fucking yes! Fucking yes!!!! the Proto-punk stylings of 7 and 7 is. Oh man, that fast drumming and guitar strumming, the screaming vocals and the all-around energy of this tune is just so infectious. Another highlight from my famous psychedelic music course. I remember this song just sticking with me hardcore. Another guy in the class hated it. he can go fuck himself, this song is amazing and the exact pure energy I need to get me running through a mine field.

The Castle is hitting it back with the psychedelic style. I feel like this song is always on the verge of becoming something exciting, but always stops itself before it does. It’s pretty smooth and sensual for the most part, but then there’s these drum kicks and bass grooves that kick in and I keep thinking it’s going to Rave-up, but it never does. What a cock tease. But that harpsichord that just kicked in is pretty fabulous, I seem to be getting a new favourite instrument. It so far hasn’t failed to amuse me on any album it has appeared on. Interesting tune, by the end of it it seemed to have shifted gears a little. Still sticking to it’s style but changing in tune a little. Solid stuff.

As She Comes In Colours plays I’m starting to wonder why this flopped. At first I was wondering why this was included on the list at all if it flopped that badly, but 6 songs in and I’m starting to wonder why it flopped. This is a pretty solid album that flows very nicely. The music is accessible enough for everyone to enjoy but still manages to really be it’s own thing. To my knowledge Love was trying out something completely new with this album. I’ve never heard their debut but it sounds like they did an excellent job. (Also that harpsichord is giving me an orgasm… oh man, you never expect it to come in but when it does it’s pure pleasure to the ears, especially in this song). I loved this tune more than I should have but what you gonna do… what you gonna do when they come for you…

Now here it is, the song I’ve been waiting for the entire album. Revelation, the 19 minute song. Strong start, harpsichord opening (which we all know is a huge bonus for me on this album) and kicking into a groovin’ guitar chord riff. A little different than the rest of the album, probably more reminiscent of their debut (which I haven’t heard so this is just speculation). But an informed assumption since this was a jam they did at their live shows way before this album came out. It actually influenced the Rolling Stones to make Coming Home, their 9 minute rock tune, but because Aftermath came out before Da Capo, they got accused of copying them. But does it matter? Their’s was 9 minutes, this is a solid 19 minutes. Another beats completely and should have no comparison. Especially stylistically they may be similar but are really their own beasts entirely. The goal with this song was to capture the energy of their live performances (sounds familiar… I think I read that with John Mayall’s and the Bluesbreakers…). I’ve got a pretty sweet harmonica solo blaring away, did not expect that especially since the harmonica has basically been absent the whole album (or maybe it was there and I just wasn’t paying attention).

Ugh… I’m only 5 minutes in. This song is lucky that so far it’s listenable and pretty great. It changes enough that it doesn’t feel monotonous and there’s always something new happening, with some groovy guitar solos permeating throughout. Actually… these are some solid guitar solos, like damn… I’m engaged and invested in these solos. Not sure where this song is headed and what adventure I have left. I still have a good 11 minutes left on it… so we shall see.

I’m finding myself tapping my foot to the beat. That’s a good sign. I’m really getting into it. Man, this album is way better than I expected it to be. I guess when you enter something with low expectations all it can really do is impress you. And boy has this albums impressed me. I’ve saved every song to my playlist that I share with Sandra. You see, I started this playlist called Bosco and Sandra’s Never Ending Playlist on Spotify, where we basically add any and every song we want to it to make one huge playlist that encompasses both our tastes in music. It’s a nice couple thing to engage in I feel. Speaking of which, me and Sandra celebrated our 1-year anniversary just last month! This is incredibly exciting for me. I know to you, the reader, it means absolutely nothing, but for those who know me know a year is a big deal. I’ve only had one previous relationship that lasted more than a year (2) while all the others never made it past 5 months (except my last one which was 8). Why? I usually tend to lose interest by the 5 month mark, no idea why, many reasons and factors I guess that play into it. So the fact I’ve hit a year and still am crazy about this bubbly ball of positivity is really a good sign. Who knows.

Anyway, like I was saying, the playlist. So every time I listen to an album from this list I add my favourites to our playlist and it’s rare that I’ll add an entire album. It has happened a few times and a few albums have that distinction of being a full save (The Monk’s Black Monk Time and Moby Grape are two members of that club). This is one of them. Especially now as I hit some… saxophone? solo that is just purely amazing. I was nervous about this song but it is really taking me on a trip here, and not the drug-induced type of trip, a musical trip from instrument to instrument, that never veers away from what it set out to do but still manages to pull many surprises out of it’s pocket. Oh boy, oh boy, oh boy.

As Revelation comes to an end, I’ll finish this write-up.. up, as well. Final thoughts: Solid album that I did not expect to enjoy as much as I did. I was pleasantly surprised with it as a whole and feel it should be on a list of albums more people should check out (and it is! hurr hurr). I think it’s pretty fitting that the song ends with a marching band type drum solo that stopped abruptly to give way for that magical harpsichord sound.

Oh Harpsichord… my love… please don’t leave me aloooone, I’ll miss you…

Song of Choice: 7 and 7 is

-Bosco

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